{"id":889,"date":"2022-09-07T13:04:16","date_gmt":"2022-09-07T13:04:16","guid":{"rendered":"https:\/\/www.fraclorraine.org\/nouveausite2021\/?post_type=evenement&p=889"},"modified":"2023-01-12T14:47:14","modified_gmt":"2023-01-12T14:47:14","slug":"","status":"publish","type":"evenement","link":"https:\/\/www.fraclorraine.org\/en\/evenement\/listen-to-your-eyes\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n
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\u25cf Dominique Delahoche, composer and principal trombone player with the Orchestre National de Metz and H\u00e9l\u00e8ne Guillaume, professor at the ESAL<\/p>\n\n\n\n

Series, landscape, maps, collage, randomness, minimalism\u2026 <\/p>\n\n\n\n

There are many similarities between the vocabulary used to define composition in music and in visual arts. How do these notions resonate from one form of art to another, how do they influence each other, or reinforce their respective singularities?<\/p>\n\n\n\n

\u21b3 Coinciding with \u00c9tudiants Dans Ma Ville, which is part of the cycle of aperitif-talks organized with the Orchestre National de Metz \/ Cit\u00e9 Musicale \u2013 Metz.<\/p>\n<\/div>\n\n\n\n

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John Cage, Fontana Mix<\/em>, 1958 \u00a9 John Cage<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false,"raw":"\n
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\u25cf Dominique Delahoche, composer and principal trombone player with the Orchestre National de Metz and H\u00e9l\u00e8ne Guillaume, professor at the ESAL<\/p>\n\n\n\n

Series, landscape, maps, collage, randomness, minimalism\u2026 <\/p>\n\n\n\n

There are many similarities between the vocabulary used to define composition in music and in visual arts. How do these notions resonate from one form of art to another, how do they influence each other, or reinforce their respective singularities?<\/p>\n\n\n\n

\u21b3 Coinciding with \u00c9tudiants Dans Ma Ville, which is part of the cycle of aperitif-talks organized with the Orchestre National de Metz \/ Cit\u00e9 Musicale \u2013 Metz.<\/p>\n<\/div>\n\n\n\n

\n
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John Cage, Fontana Mix<\/em>, 1958 \u00a9 John Cage<\/figcaption><\/figure>\n<\/div>\n<\/div>\n"},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"\n
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\u25cf Dominique Delahoche, compositeur et trombone solo de l\u2019Orchestre national de Metz et H\u00e9l\u00e8ne Guillaume, professeure \u00e0 l\u2019ESAL (remplac\u00e9e par Pierre Villemin, professeur \u00e0 l\u2019ESAL)<\/p>\n\n\n\n

Paysage, forme, plans, mat\u00e9riau, fr\u00e9quence, vibrations\u2026 Il existe de nombreuses similitudes dans le vocabulaire utilis\u00e9 pour d\u00e9finir la composition en musique et dans les arts visuels.
Comment ces notions r\u00e9sonnent-elles d\u2019un art \u00e0 l\u2019autre, s\u2019influencent-elles ou renforcent-elles les singularit\u00e9s ?<\/p>\n\n\n\n

\u21b3 \u00c0 l\u2019occasion d\u2019Etudiants dans ma ville, dans le cadre du cycle des ap\u00e9ro-conf\u00e9rences mis en place avec l\u2019Orchestre national de Metz \/ Cit\u00e9 musicale-Metz.<\/p>\n<\/div>\n\n\n\n

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John Cage, Fontana Mix<\/em>, 1958 \u00a9 John Cage<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

\u25cf LES INTERVENANT.ES <\/p>\n\n\n\n

H\u00e9l\u00e8ne Guillaume<\/strong><\/p>\n\n\n\n

Enseignante \u00e0 l\u2019\u00e9cole sup\u00e9rieure d\u2019art de Lorraine, elle est inscrite dans le r\u00e9seau de cr\u00e9ation et de diffusion Les Yeux de l\u2019Ou\u00efe depuis sa cr\u00e9ation. En tant que programmatrice et \u201cpasseur d\u2019images\u201d, elle initie ou co-r\u00e9alise des projets participatifs qui interrogent les fronti\u00e8res entre art vid\u00e9o et documentaire tels que\u202f: \u201cHdl en vid\u00e9o\u201d installation interactive sur le quartier du Haut du Li\u00e8vre \u00e0 Nancy et \u201cSans elles\u201d co-r\u00e9alisation avec l\u2019atelier en qu\u00eate d\u2019autres regards de la maison d\u2019arr\u00eat de la Sant\u00e9 \u00e0 Paris. Depuis 2012, elle veille \u00e0 la cr\u00e9ation de la premi\u00e8re Web TV de l\u2019\u00c9SAL.<\/p>\n\n\n\n

Dominique Delahoche<\/strong><\/p>\n\n\n\n

N\u00e9 en 1971 \u00e0 Saint-Dizier (France), il est tromboniste et compositeur. Actuellement et depuis 2002, trombone solo de l\u2019Orchestre National de Metz, il est dipl\u00f4m\u00e9 du CNSM de Lyon (classe de Michel BECQUET). Prim\u00e9 lors de quatre concours internationaux d\u2019interpr\u00e9tation entre 1999 et 2002, il est r\u00e9guli\u00e8rement l\u2019invit\u00e9 depuis lors d\u2019institutions ou de festivals internationaux en particulier pour la diffusion ou la cr\u00e9ation d\u2019\u0153uvres d\u2019esth\u00e9tique contemporaine. Son go\u00fbt l\u2019am\u00e8ne \u00e9galement \u00e0 interpr\u00e9ter le r\u00e9pertoire ancien \u00e0 la saqueboute.<\/p>\n\n\n\n

Pierre Villemin<\/strong><\/p>\n\n\n\n

Il a travaill\u00e9 comme chef op\u00e9rateur sur des documentaires pour la t\u00e9l\u00e9vision. Entre 1998 et 2002, il \u00e0 r\u00e9alis\u00e9 des vid\u00e9os exp\u00e9rimentales. Entre 2002 et 2014, a travaill\u00e9 en duo avec son fr\u00e8re \u00e0 la r\u00e9alisation de \u201cfilms essais\u201d courts, diffus\u00e9s dans des festivals internationaux, t\u00e9l\u00e9s cabl\u00e9es et en expositions dans des galeries et mus\u00e9es. S\u2019int\u00e9resse maintenant aux formes de transposition du r\u00e9el dans le cin\u00e9ma exp\u00e9rimental. A l\u2019Ecole Sup\u00e9rieure d\u2019Art de Lorraine \u2013 Metz, professeur d\u2019enseignement artistique en video.<\/p>\n","_fr_post_name":"listen-to-your-eyes","_fr_post_excerpt":"","_fr_post_title":"Listen to your eyes","_en_post_content":"\n

\n
\n

\u25cf Dominique Delahoche, composer and principal trombone player with the Orchestre National de Metz and H\u00e9l\u00e8ne Guillaume, professor at the ESAL<\/p>\n\n\n\n

Series, landscape, maps, collage, randomness, minimalism\u2026 <\/p>\n\n\n\n

There are many similarities between the vocabulary used to define composition in music and in visual arts. How do these notions resonate from one form of art to another, how do they influence each other, or reinforce their respective singularities?<\/p>\n\n\n\n

\u21b3 Coinciding with \u00c9tudiants Dans Ma Ville, which is part of the cycle of aperitif-talks organized with the Orchestre National de Metz \/ Cit\u00e9 Musicale \u2013 Metz.<\/p>\n<\/div>\n\n\n\n

\n
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John Cage, Fontana Mix<\/em>, 1958 \u00a9 John Cage<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en"},"tags":[],"event-type":[93],"saison":[78],"lieu":[371],"class_list":["post-889","evenement","type-evenement","status-publish","hentry"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/evenement\/889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/evenement"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/evenement"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=889"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=889"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=889"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=889"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}