{"id":971,"date":"2022-09-08T12:43:02","date_gmt":"2022-09-08T12:43:02","guid":{"rendered":"https:\/\/www.fraclorraine.org\/nouveausite2021\/?post_type=evenement&#038;p=971"},"modified":"2023-01-12T14:19:09","modified_gmt":"2023-01-12T14:19:09","slug":"","status":"publish","type":"evenement","link":"https:\/\/www.fraclorraine.org\/en\/evenement\/crystallmess-collective-amnesia-in-memory-of-logobi\/","title":{"rendered":"Crystallmess. Collective Amnesia : In Memory of Logobi","raw":"Crystallmess. Collective Amnesia : In Memory of Logobi"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>\u25cf Christelle Oyiri aka <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/crystallmess\" target=\"_blank\">CrystallMess<\/a>, DJ, sound designer, critic<\/p>\n\n\n\n<p>Why some cultures have long histories and others don\u2019t? Starting with this question, C. Oiyri has shaped her story as an African descendent. In a project straddling DJ\u2019ing, performance, and 3D videos, she tackles Afrofuturism and plunges the viewer in the effervescent movement of the Logobi dance originated in Abidjan, C\u00f4te d\u2019Ivoire. The show is an invitation to get out of one-sided histories and build your own.s<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"465\" src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2.jpeg\" alt=\"\" class=\"wp-image-972\" srcset=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2.jpeg 640w, https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2-300x218.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><figcaption class=\"wp-element-caption\"><em>Collective Amnesia: In Memory&nbsp;Of Logobi <\/em>\u00a9&nbsp;Christelle Oyiri <\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false,"raw":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Christelle Oyiri aka <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/crystallmess\" target=\"_blank\">CrystallMess<\/a>, DJ, sound designer, critic<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Why some cultures have long histories and others don\u2019t? Starting with this question, C. Oiyri has shaped her story as an African descendent. In a project straddling DJ\u2019ing, performance, and 3D videos, she tackles Afrofuturism and plunges the viewer in the effervescent movement of the Logobi dance originated in Abidjan, C\u00f4te d\u2019Ivoire. The show is an invitation to get out of one-sided histories and build your own.s<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":972,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-full\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2.jpeg\" alt=\"\" class=\"wp-image-972\"\/><figcaption class=\"wp-element-caption\"><em>Collective Amnesia: In Memory&nbsp;Of Logobi <\/em>\u00a9&nbsp;Christelle Oyiri <\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->"},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Christelle Oyiri aka <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/crystallmess\" target=\"_blank\">CrystallMess<\/a>, DJ, sound designer, critique<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pourquoi certaines cultures traversent l\u2019histoire et d\u2019autres pas ? Partant de ce constat, C. Oyiri \u00e9crit son r\u00e9cit d\u2019afro descendante. Dans ce projet \u00e0 la crois\u00e9e du dJing, de la performance et de la 3D, elle se saisit de l\u2019afrofuturisme et nous plonge dans l\u2019effervescence du mouvement de danse Logobi, originaire d\u2019Abidjan (C\u00f4te d\u2019Ivoire.) Une invitation \u00e0 sortir d\u2019une version unilat\u00e9rale de l\u2019histoire, dans un esprit&nbsp;DIY.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christelle Oyiri n\u2019est pas du genre \u00e0 se limiter \u00e0 un seul m\u00e9dium. Derri\u00e8re le pseudonyme Crystallmess, la Parisienne produit des DJ sets \u00e9nergiques aux influences globales, qu\u2019elle n\u2019h\u00e9site pas \u00e0 ranger derri\u00e8re l\u2019appellation de \u00ab hood futurism \u00bb. Son travail de plasticienne multidisciplinaire explore parall\u00e8lement, entre \u00e9thique&nbsp;DIY&nbsp;et th\u00e9orie critique, son r\u00e9cit d\u2019afro descendante. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dans ses mixes, elle vacille entre l\u2019onirisme d\u2019un morceau synth\u00e9tique et un remix abrasif d\u2019un morceau de rap sud-am\u00e9ricain. R\u00e9currents dans ses DJ sets, une version ralentie du tube \u201cDjadja\u201d d\u2019Aya Nakamura, qui r\u00e9p\u00e8te en boucle les paroles de la chanteuse d\u2019Aulnay-Sous-Bois, \u00ab c\u2019est pas comme \u00e7a qu\u2019on fait les choses. \u00bb<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":972,\"width\":846,\"height\":615,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-full is-resized\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2.jpeg\" alt=\"\" class=\"wp-image-972\" width=\"846\" height=\"615\"\/><figcaption class=\"wp-element-caption\">Collective Amnesia: In Memory&nbsp;Of Logobi \u00a9&nbsp;Christelle Oyiri\n<\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_fr_post_name":"crystallmess-collective-amnesia-in-memory-of-logobi","_fr_post_excerpt":"","_fr_post_title":"Crystallmess. Collective Amnesia : In Memory of Logobi","_en_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Christelle Oyiri aka <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/crystallmess\" target=\"_blank\">CrystallMess<\/a>, DJ, sound designer, critic<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Why some cultures have long histories and others don\u2019t? Starting with this question, C. Oiyri has shaped her story as an African descendent. In a project straddling DJ\u2019ing, performance, and 3D videos, she tackles Afrofuturism and plunges the viewer in the effervescent movement of the Logobi dance originated in Abidjan, C\u00f4te d\u2019Ivoire. The show is an invitation to get out of one-sided histories and build your own.s<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":972,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-full\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/09\/PROG_2019_OCTOBRE-JANVIER-_2019_COLLECTIVE-OF-AMNESIA_2.jpeg\" alt=\"\" class=\"wp-image-972\"\/><figcaption class=\"wp-element-caption\"><em>Collective Amnesia: In Memory&nbsp;Of Logobi <\/em>\u00a9&nbsp;Christelle Oyiri <\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"Crystallmess. Collective Amnesia : In Memory of Logobi","edit_language":"en"},"tags":[18],"event-type":[119],"saison":[47],"lieu":[371],"class_list":["post-971","evenement","type-evenement","status-publish","hentry","tag-performance"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/evenement\/971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/evenement"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/evenement"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=971"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=971"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=971"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=971"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}