{"id":477,"date":"2022-08-30T14:09:31","date_gmt":"2022-08-30T14:09:31","guid":{"rendered":"https:\/\/www.fraclorraine.org\/nouveausite2021\/?post_type=exhibition&p=477"},"modified":"2023-01-12T15:50:17","modified_gmt":"2023-01-12T15:50:17","slug":"","status":"publish","type":"exhibition","link":"https:\/\/www.fraclorraine.org\/en\/exhibition\/degres-est-aurelie-de-heinzelin\/","title":{"rendered":"Degr\u00e9s Est : Aur\u00e9lie de Heinzelin","raw":"Degr\u00e9s Est : Aur\u00e9lie de Heinzelin"},"content":{"rendered":"\n
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\u25cf Aur\u00e9lie de Heinzelin (born 1980 in Rouen, lives and works in Strasbourg) is a graduate of HEAR in Strasbourg and holds a degree in literature from the University of Rouen. Invited by the Frac Alsace, the artist will present, for the sixth iteration of Degrees East, a project that tackles the themes of the gisant and of fragmented bodies.<\/p>\n\n\n\n

Making use of classical mediums (tempera paint, oil on wood, charcoal, and pastel on paper) Aur\u00e9lie de Heinzelin has developed a pictorial language that mixes expressionism, symbolism and reference to the grotesque. Her work revisits the major themes and genres of Western art history in connection with religious iconography.<\/p>\n<\/div>\n\n\n\n

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Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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For Degrees East, Aur\u00e9lie de Heinzelin continues her research on the body by studying the figure of the gisant, a marble funerary statue, usually recumbent on top of a tomb or sarcophagus. That of Catherine de Medici is painted in grisaille and surrounded by mourners, characters that frame the representation of the deceased within historical painting and sculpture. The work on folds and drapery, which unveils while simultaneously concealing, makes direct reference to certain classical works such as Botticelli\u2019s The Spring. The series of backlit drawings borrows as much from \u201c\u00e9corch\u00e9s,\u201d anatomical sculptures and drawings that depict the body without skin, as it does from horror films. <\/p>\n\n\n\n

The artist treats this iconography with an expressivity that permits her to reflect the production of representations of the body and, more precisely, of the image of an image. She recognizes the vulnerability of the drawing (charcoal and dry pastel on paper), a medium long associated with preparatory in-between stages of work. A far cry from the search for validation and body optimization of our current era, the painting of Aur\u00e9lie de Heinzelin speaks of de-multiplication and immobility, of a broken or non-functional body, exposed in its relation to the common space in which we must live upright.<\/p>\n<\/div>\n<\/div>\n","protected":false,"raw":"\n

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\u25cf Aur\u00e9lie de Heinzelin (born 1980 in Rouen, lives and works in Strasbourg) is a graduate of HEAR in Strasbourg and holds a degree in literature from the University of Rouen. Invited by the Frac Alsace, the artist will present, for the sixth iteration of Degrees East, a project that tackles the themes of the gisant and of fragmented bodies.<\/p>\n\n\n\n

Making use of classical mediums (tempera paint, oil on wood, charcoal, and pastel on paper) Aur\u00e9lie de Heinzelin has developed a pictorial language that mixes expressionism, symbolism and reference to the grotesque. Her work revisits the major themes and genres of Western art history in connection with religious iconography.<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

For Degrees East, Aur\u00e9lie de Heinzelin continues her research on the body by studying the figure of the gisant, a marble funerary statue, usually recumbent on top of a tomb or sarcophagus. That of Catherine de Medici is painted in grisaille and surrounded by mourners, characters that frame the representation of the deceased within historical painting and sculpture. The work on folds and drapery, which unveils while simultaneously concealing, makes direct reference to certain classical works such as Botticelli\u2019s The Spring. The series of backlit drawings borrows as much from \u201c\u00e9corch\u00e9s,\u201d anatomical sculptures and drawings that depict the body without skin, as it does from horror films. <\/p>\n\n\n\n

The artist treats this iconography with an expressivity that permits her to reflect the production of representations of the body and, more precisely, of the image of an image. She recognizes the vulnerability of the drawing (charcoal and dry pastel on paper), a medium long associated with preparatory in-between stages of work. A far cry from the search for validation and body optimization of our current era, the painting of Aur\u00e9lie de Heinzelin speaks of de-multiplication and immobility, of a broken or non-functional body, exposed in its relation to the common space in which we must live upright.<\/p>\n<\/div>\n<\/div>\n"},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"\n

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\u25cf La proposition d\u2019Aur\u00e9lie de Heinzelin<\/a> enrichit la programmation de l\u2019espace prospectif Degr\u00e9s Est, centr\u00e9 sur les artistes li\u00e9s au territoire du Grand Est. Activ\u00e9 par des propositions des trois FRAC du Grand Est, il introduit \u00e0 la diversit\u00e9 des pratiques artistiques actuelles, et souligne l\u2019engagement du Frac \u00e0 faire appara\u00eetre la pluralit\u00e9 au sein de la cr\u00e9ation contemporaine.<\/p>\n\n\n\n

Aur\u00e9lie de Heinzelin (n\u00e9e en 1980 \u00e0 Rouen, vit et travaille \u00e0 Strasbourg) est dipl\u00f4m\u00e9e de la HEAR de Strasbourg ainsi que l\u2019universit\u00e9 de Rouen o\u00f9 elle a effectu\u00e9 un Mast\u00e8re en litt\u00e9rature. <\/p>\n\n\n\n

Invit\u00e9e par le Frac Alsace, l\u2019artiste pr\u00e9sente pour la sixi\u00e8me occurrence de Degr\u00e9s Est un projet in situ et revisite le th\u00e8me du gisant.<\/p>\n<\/div>\n\n\n\n

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Vue d'exposition Degr\u00e9s Est : Aur\u00e9lie de Heinzelin<\/em>, Mars-Aout 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo : Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Vues d'exposition Degr\u00e9s Est : Aur\u00e9lie de Heinzelin<\/em>, Mars-Aout 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos : Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
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Vues d'exposition Degr\u00e9s Est : Aur\u00e9lie de Heinzelin<\/em>, Mars-Aout 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos : Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Vue d'exposition Degr\u00e9s Est : Aur\u00e9lie de Heinzelin<\/em>, Mars-Aout 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo : Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Dans sa pratique principalement tourn\u00e9e vers des m\u00e9diums traditionnels comme la peinture \u00e0 la tempera, l\u2019huile sur bois, le fusain, l\u2019encre et le pastel sur papier, Aur\u00e9lie de Heinzelin d\u00e9veloppe un langage pictural singulier. M\u00ealant expressionnisme onirique et r\u00e9f\u00e9rences au grotesque, son travail revisite les grands th\u00e8mes et genres de l\u2019histoire de l\u2019art occidentale, habituellement en lien avec l\u2019iconographie religieuse.<\/p>\n\n\n\n

Dans le contexte d\u2019une r\u00e9sidence men\u00e9e cette ann\u00e9e \u00e0 la Cit\u00e9 des Arts (Paris), avec l\u2019aide de la DRAC Grand Est et de la R\u00e9gion Grand Est, Aur\u00e9lie de Heinzelin poursuit sa recherche sur le corps, rattach\u00e9e \u00e0 la figure du gisant : statue fun\u00e9raire en marbre, g\u00e9n\u00e9ralement \u00e0 plat-dos sur un tombeau ou un sarcophage. L\u2019ensemble des \u0153uvres pr\u00e9sent\u00e9es seront produites sp\u00e9cifiquement pour Degr\u00e9s Est salle en longueur qui contient une chemin\u00e9e m\u00e9di\u00e9vale. Ici, le corps du d\u00e9funt se tient debout, entour\u00e9 d\u2019un ensemble de dessins rappelant les pleurants, personnages de la peinture et la sculpture classique qui encadrent un d\u00e9funt. Le travail sur le pli et sur le drap\u00e9 transparent, d\u00e9voilant en m\u00eame temps qu\u2019il dissimule, se r\u00e9f\u00e8re directement \u00e0 certaines \u0153uvres classiques comme Le printemps<\/em> de Boticelli. La s\u00e9rie des dessins en contre-jour renvoie tant aux \u00ab \u00e9corch\u00e9s \u00bb, sculptures ou dessins anatomiques repr\u00e9sentant le corps d\u00e9pouill\u00e9 de sa peau, qu\u2019au cin\u00e9ma d\u2019horreur.<\/p>\n\n\n\n

L\u2019artiste traite cette iconographie avec une picturalit\u00e9 qui lui permet d\u2019aborder la question de la repr\u00e9sentation du corps aujourd\u2019hui. Elle rend compte de sa vuln\u00e9rabilit\u00e9 par le dessin (fusain et craie cont\u00e9 sur papier), m\u00e9dium longtemps associ\u00e9 au travail pr\u00e9paratoire, au temps d\u2019un entre-deux. Elle repr\u00e9sente le corps \u00e0 l\u2019image d\u2019une sculpture-colonne, c\u2019est-\u00e0-dire immobile et verticale.<\/p>\n\n\n\n

Loin de l\u2019augmentation et l\u2019optimisation des corps pr\u00f4n\u00e9es par l\u2019\u00e8re que nous traversons, le projet d\u2019Aur\u00e9lie de Heinzelin nous parle de d\u00e9multiplication et d\u2019immobilit\u00e9, d\u2019un corps \u00e9clat\u00e9 ou non-fonctionnel, expos\u00e9 dans sa relation \u00e0 l\u2019autre et \u00e0 l\u2019espace commun qu\u2019il nous faut habiter debout.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","_fr_post_name":"degres-est-aurelie-de-heinzelin","_fr_post_excerpt":"","_fr_post_title":"Degr\u00e9s Est : Aur\u00e9lie de Heinzelin","_en_post_content":"\n

\n
\n

\u25cf Aur\u00e9lie de Heinzelin (born 1980 in Rouen, lives and works in Strasbourg) is a graduate of HEAR in Strasbourg and holds a degree in literature from the University of Rouen. Invited by the Frac Alsace, the artist will present, for the sixth iteration of Degrees East, a project that tackles the themes of the gisant and of fragmented bodies.<\/p>\n\n\n\n

Making use of classical mediums (tempera paint, oil on wood, charcoal, and pastel on paper) Aur\u00e9lie de Heinzelin has developed a pictorial language that mixes expressionism, symbolism and reference to the grotesque. Her work revisits the major themes and genres of Western art history in connection with religious iconography.<\/p>\n<\/div>\n\n\n\n

\n
\"\"
Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"
Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n\n\n\n
\"\"
Exhibition views Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photos: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\n
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Exhibition view Degr\u00e9s Est: Aur\u00e9lie de Heinzelin<\/em>, Mar-Aug 2021, 49 Nord 6 Est-Frac Lorraine, Metz. Photo: Aur\u00e9lien Mole<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n

For Degrees East, Aur\u00e9lie de Heinzelin continues her research on the body by studying the figure of the gisant, a marble funerary statue, usually recumbent on top of a tomb or sarcophagus. That of Catherine de Medici is painted in grisaille and surrounded by mourners, characters that frame the representation of the deceased within historical painting and sculpture. The work on folds and drapery, which unveils while simultaneously concealing, makes direct reference to certain classical works such as Botticelli\u2019s The Spring. The series of backlit drawings borrows as much from \u201c\u00e9corch\u00e9s,\u201d anatomical sculptures and drawings that depict the body without skin, as it does from horror films. <\/p>\n\n\n\n

The artist treats this iconography with an expressivity that permits her to reflect the production of representations of the body and, more precisely, of the image of an image. She recognizes the vulnerability of the drawing (charcoal and dry pastel on paper), a medium long associated with preparatory in-between stages of work. A far cry from the search for validation and body optimization of our current era, the painting of Aur\u00e9lie de Heinzelin speaks of de-multiplication and immobility, of a broken or non-functional body, exposed in its relation to the common space in which we must live upright.<\/p>\n<\/div>\n<\/div>\n","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"Degr\u00e9s Est : Aur\u00e9lie de Heinzelin","edit_language":"en"},"tags":[33,7],"event-type":[30],"saison":[46],"lieu":[371],"class_list":["post-477","exhibition","type-exhibition","status-publish","hentry","tag-degres-est","tag-exposition"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=477"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=477"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=477"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=477"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}