{"id":693,"date":"2022-08-31T15:03:55","date_gmt":"2022-08-31T15:03:55","guid":{"rendered":"https:\/\/www.fraclorraine.org\/nouveausite2021\/?post_type=exhibition&#038;p=693"},"modified":"2023-01-12T15:44:51","modified_gmt":"2023-01-12T15:44:51","slug":"","status":"publish","type":"exhibition","link":"https:\/\/www.fraclorraine.org\/en\/exhibition\/hors-les-murs\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Artiste invit\u00e9 Louis Picard. Avec des \u0153uvres de la collection du 49 Nord 6 Est \u2013 Frac Lorraine de Monica Bonvicini, Le\u00f3n Ferrari, Boris Ondreicka, Nipan Oranniwesna<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Des barri\u00e8res pour s\u00e9parer le Mexique des \u00c9tats-Unis, l\u2019Inde du Bangladesh ou le Maroc de l\u2019Espagne : que signifie ce besoin actuel de construire des murs ? Regroupant installations immersives, vid\u00e9os et estampes, l\u2019exposition regarde de plus pr\u00e8s cet \u00e9l\u00e9ment soi-disant neutre qu\u2019est le mur.<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":694,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/08\/INDEX_ORANNIWESNA_1_COLLECTION-1024x576.jpg\" alt=\"\" class=\"wp-image-694\"\/><figcaption class=\"wp-element-caption\">Nipan Oranniwesna, <em>City of Ghost<\/em>, 2012 <br>Collection 49 Nord 6 Est \u2013 Frac Lorraine, Metz (FR). Photo: Benjamin Mathia \u00a9 N. Oranniwesna <\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:gallery {\"linkTo\":\"none\"} -->\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":695,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/08\/INDEX_FERRARI_1_COLLECTION-1024x444.jpg\" alt=\"\" class=\"wp-image-695\"\/><figcaption class=\"wp-element-caption\">Le\u00f3n Ferrari, Bairro, 1980\nCollection 49 Nord 6 Est \u2013 Frac Lorraine, Metz (FR)\nPhoto : R\u00e9mi Villaggi\n\u00a9 L. Ferrari\n<\/figcaption><\/figure>\n<!-- \/wp:image --><\/figure>\n<!-- \/wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Constructions qui prot\u00e8gent et s\u00e9parent \u00e0 la fois, les murs \u00e9voquent l\u2019espace intime de la maison, tout comme le besoin de tenir \u00e0 distance une potentielle menace. Dans l\u2019imaginaire collectif, ils semblent \u00e9rig\u00e9s pour se prot\u00e9ger de l\u2019ext\u00e9rieur et des \u00e9l\u00e9ments naturels, mais aussi de certains dangers fantasm\u00e9s. Mais dans notre monde actuel, digitalis\u00e9 et globalis\u00e9, la solidit\u00e9 du mur est remise en question. Les informations se moquent des murs et se glissent \u00e0 l\u2019int\u00e9rieur des espaces priv\u00e9s par de nouvelles voies de circulation. De m\u00eame les \u00e9volutions migratoires et les changements dans la mani\u00e8re de se d\u00e9placer ou de s\u2019orienter tendent \u00e0 remettre en question les oppositions entre proche et lointain.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Les \u0153uvres de l\u2019exposition <em>Hors les murs<\/em> donnent \u00e0 voir des espaces o\u00f9 l\u2019architecture, ses habitudes et traditions, sont approch\u00e9es de fa\u00e7on inattendue, les structures urbaines se retrouvent sens dessus dessous. Elles nous invitent \u00e0 poser les pieds dans un ailleurs transform\u00e9, parfois plus proche du r\u00eave que du quotidien. Ici, les artistes d\u00e9placent des montagnes de parpaings, font voler les briques en \u00e9clat et r\u00e9duisent les fronti\u00e8res \u00e0 de l\u00e9g\u00e8res empreintes de talc, effa\u00e7ables d\u2019un revers de main. L\u2019environnement est d\u00e9construit, d\u00e9centr\u00e9, r\u00e9agenc\u00e9, renomm\u00e9, parfois malmen\u00e9, mais surtout r\u00e9invent\u00e9.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><\/p>\n<!-- \/wp:paragraph -->","_fr_post_name":"hors-les-murs","_fr_post_excerpt":"","_fr_post_title":"Hors les murs\ufffc","_en_post_content":"","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en"},"tags":[7,41],"event-type":[42],"saison":[75],"lieu":[373],"class_list":["post-693","exhibition","type-exhibition","status-publish","hentry","tag-exposition","tag-hors-les-murs"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition\/693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=693"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=693"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=693"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=693"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}