{"id":9562,"date":"2025-12-08T16:53:17","date_gmt":"2025-12-08T15:53:17","guid":{"rendered":"https:\/\/www.fraclorraine.org\/?post_type=exhibition&p=9562"},"modified":"2026-03-05T10:56:45","modified_gmt":"2026-03-05T09:56:45","slug":"","status":"publish","type":"exhibition","link":"https:\/\/www.fraclorraine.org\/en\/exhibition\/beverly-buchanan-impermanences\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n
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\u25cf 49 North 6 Est is proud to present the first European showcase of Beverly Buchanan (1940-2015, United States) in dialogue with the practice of H\u00e9l\u00e8ne Yamba-Guimbi (1995, France). <\/p>\n\n\n\n

Beverly Buchanan’s work notably explores the history of slavery through monuments dotting the landscapes, hovering \u2014 like untold stories \u2014 at visibility\u2019s edge. Attached to vernacular building, her sculptures and drawings reinterpret both their vulnerability and the tenacity that brought them into existence. Her structures evoke with affection and candour the fragility of certain communities\u2019 living conditions in the Southern United States. Resonating with the sense of instability that pervades much of our present, the exhibition invites visitors to discover an artist who strikingly evokes the impermanence of life itself.<\/p>\n<\/div>\n\n\n\n

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Beverly Buchanan, Keep Out<\/em>, 1991. Collection priv\u00e9e. Courtesy de l’artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Beverly Buchanan, Large Tulips, 2007. Courtesy de l’artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n\n\n\n
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Beverly Buchanan, Lamar County, GA, 2003. Courtesy de l’artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\u21b3 Curated by: Fanny Gonella, director of Frac Lorraine, in cooperation with Milena Oldfield, programme coordinator<\/p>\n\n\n\n

\u21b3 In partnership with: Haus am Waldsee, Berlin, and Spike Island, Bristol<\/p>\n\n\n\n

\u21b3 Media partner: ICI TV Radio Digital<\/p>\n<\/div>\n<\/div>\n","protected":false,"raw":"\n

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\u25cf 49 North 6 Est is proud to present the first European showcase of Beverly Buchanan (1940-2015, United States) in dialogue with the practice of H\u00e9l\u00e8ne Yamba-Guimbi (1995, France). <\/p>\n\n\n\n

Beverly Buchanan's work notably explores the history of slavery through monuments dotting the landscapes, hovering \u2014 like untold stories \u2014 at visibility\u2019s edge. Attached to vernacular building, her sculptures and drawings reinterpret both their vulnerability and the tenacity that brought them into existence. Her structures evoke with affection and candour the fragility of certain communities\u2019 living conditions in the Southern United States. Resonating with the sense of instability that pervades much of our present, the exhibition invites visitors to discover an artist who strikingly evokes the impermanence of life itself.<\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\"\"
Beverly Buchanan, Keep Out<\/em>, 1991. Collection priv\u00e9e. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"
Beverly Buchanan, Large Tulips, 2007. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n\n\n\n
\"\"
Beverly Buchanan, Lamar County, GA, 2003. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\n

\u21b3 Curated by: Fanny Gonella, director of Frac Lorraine, in cooperation with Milena Oldfield, programme coordinator<\/p>\n\n\n\n

\u21b3 In partnership with: Haus am Waldsee, Berlin, and Spike Island, Bristol<\/p>\n\n\n\n

\u21b3 Media partner: ICI TV Radio Digital<\/p>\n<\/div>\n<\/div>\n"},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"\n

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\u25cf Pour la premi\u00e8re pr\u00e9sentation de son travail en France, le 49 Nord 6 Est d\u00e9ploie les \u0153uvres de Beverly Buchanan (1940-2015) en dialogue avec la pratique d\u2019H\u00e9l\u00e8ne Yamba-Guimbi (1995, France).<\/p>\n\n\n\n

N\u00e9e en Caroline du Nord, Beverly Buchanan ancre son travail dans la culture populaire du sud des Etats-Unis o\u00f9 elle grandit. Elle explore notamment l\u2019histoire de l\u2019esclavage \u00e0 travers des monuments qu\u2019elle ins\u00e8re dans le paysage \u00e0 la lisi\u00e8re du visible, tels des histoires que l\u2019on ne dit pas. Ses sculptures et dessins traduisent son attachement aux constructions traditionnelles populaires, qu\u2019elle r\u00e9interpr\u00e8te en restituant tout autant leur vuln\u00e9rabilit\u00e9 que la t\u00e9nacit\u00e9 qui les a fait exister.<\/p>\n\n\n\n

Beverly Buchanan fabrique des bribes d\u2019espace, des structures form\u00e9es par la m\u00e9moire et l\u2019exp\u00e9rience, \u00e9voquant sans d\u00e9tour et avec affection la fragilit\u00e9 des conditions de vie de la communaut\u00e9 afro-am\u00e9ricaine dans le sud des \u00c9tats-Unis. Dans ses dessins au pastel, tout autant que dans ses sculptures en b\u00e9ton ou en bois, elle recompose les volumes, r\u00e9v\u00e8le ou laisse dans l\u2019ombre, et nous rappelle que la perception change selon le point de vue.<\/p>\n\n\n\n

H\u00e9l\u00e8ne Yamba-Guimbi, par des interventions ponctuelles dans les espaces d\u2019exposition, invite \u00e0 consid\u00e9rer la dimension physique du travail artistique, \u00e0 ressentir les tensions entre infrastructures et corps. Elle interroge notamment par le biais du son la question de l\u2019effort et d\u2019un \u00e9l\u00e9ment aussi t\u00e9nu que le souffle. L\u2019exposition invite \u00e0 d\u00e9couvrir une artiste qui, au-del\u00e0 de la puissance formelle des \u0153uvres, s\u2019attache \u00e0 retranscrire le caract\u00e8re transitoire de la vie, r\u00e9sonnant avec le sentiment d\u2019instabilit\u00e9 qui impr\u00e8gne notre \u00e9poque.<\/p>\n<\/div>\n\n\n\n

\n
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\n
\"\"
Beverly Buchanan, Keep Out<\/em>, 1991. Collection priv\u00e9e. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"
Beverly Buchanan, Large Tulips, 2007. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n\n\n\n
\"\"
Beverly Buchanan, Lamar County, GA, 2003. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\u21b3 Commissariat de Fanny Gonella, directrice du Frac Lorraine, en coop\u00e9ration avec Milena Oldfield, coordinatrice de la programmation<\/p>\n\n\n\n

\u21b3 En collaboration avec Haus am Waldsee, Berlin, et Spike Island, Bristol<\/p>\n\n\n\n

\u21b3 Partenaire m\u00e9dia : ICI TV Radio Digital - France 3 Lorraine<\/p>\n<\/div>\n<\/div>\n","_fr_post_name":"beverly-buchanan-impermanences","_fr_post_excerpt":"","_fr_post_title":"Beverly Buchanan. Impermanences, avec H\u00e9l\u00e8ne Yamba-Guimbi","_en_post_content":"\n

\n
\n

\u25cf 49 North 6 Est is proud to present the first European showcase of Beverly Buchanan (1940-2015, United States) in dialogue with the practice of H\u00e9l\u00e8ne Yamba-Guimbi (1995, France). <\/p>\n\n\n\n

Beverly Buchanan's work notably explores the history of slavery through monuments dotting the landscapes, hovering \u2014 like untold stories \u2014 at visibility\u2019s edge. Attached to vernacular building, her sculptures and drawings reinterpret both their vulnerability and the tenacity that brought them into existence. Her structures evoke with affection and candour the fragility of certain communities\u2019 living conditions in the Southern United States. Resonating with the sense of instability that pervades much of our present, the exhibition invites visitors to discover an artist who strikingly evokes the impermanence of life itself.<\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\"\"
Beverly Buchanan, Keep Out<\/em>, 1991. Collection priv\u00e9e. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\"\"
Beverly Buchanan, Large Tulips, 2007. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n\n\n\n
\"\"
Beverly Buchanan, Lamar County, GA, 2003. Courtesy de l'artiste, Estate of Beverly Buchanan et Andrew Edlin Gallery, New York<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\n

\u21b3 Curated by: Fanny Gonella, director of Frac Lorraine, in cooperation with Milena Oldfield, programme coordinator<\/p>\n\n\n\n

\u21b3 In partnership with: Haus am Waldsee, Berlin, and Spike Island, Bristol<\/p>\n\n\n\n

\u21b3 Media partner: ICI TV Radio Digital<\/p>\n<\/div>\n<\/div>\n","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en"},"tags":[7],"event-type":[30],"saison":[451],"lieu":[371],"class_list":["post-9562","exhibition","type-exhibition","status-publish","hentry","tag-exposition"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition\/9562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=9562"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=9562"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=9562"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=9562"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=9562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}