{"id":9563,"date":"2025-12-08T16:56:23","date_gmt":"2025-12-08T15:56:23","guid":{"rendered":"https:\/\/www.fraclorraine.org\/?post_type=exhibition&#038;p=9563"},"modified":"2026-02-04T16:06:23","modified_gmt":"2026-02-04T15:06:23","slug":"","status":"publish","type":"exhibition","link":"https:\/\/www.fraclorraine.org\/en\/exhibition\/degres-est-anais-marion\/","title":{"rendered":"","raw":""},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>\u25cf Ana\u00efs Marion is been invited to occupy the Degr\u00e9s Est space, dedicated to artists linked to the Grand Est region, following a proposal by Fanny Gonella, director of Frac Lorraine.<\/p>\n\n\n\n<p>The artist has developed an investigative practice in which observation, collection and displacement become ways of writing history differently. His works, which combine photography, writing and protocol, blend archaeological methodology and the poetry of inventories to question collective memory, the circulation of knowledge and the effects of the uprooting of heritage.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1024x682.jpg\" alt=\"\" class=\"wp-image-9564\" srcset=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1024x682.jpg 1024w, https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-300x200.jpg 300w, https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-768x512.jpg 768w, https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1536x1024.jpg 1536w, https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01.jpg 1772w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ana\u00efs Marion, <em>Baghdadbahn (une ligne dans le d\u00e9sert), Gare de Mardin<\/em>, 2018 \u00a9 Adagp, Paris, 2025<\/figcaption><\/figure>\n<\/div>\n<\/div>\n","protected":false,"raw":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Ana\u00efs Marion is been invited to occupy the Degr\u00e9s Est space, dedicated to artists linked to the Grand Est region, following a proposal by Fanny Gonella, director of Frac Lorraine.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The artist has developed an investigative practice in which observation, collection and displacement become ways of writing history differently. His works, which combine photography, writing and protocol, blend archaeological methodology and the poetry of inventories to question collective memory, the circulation of knowledge and the effects of the uprooting of heritage.<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":9564,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1024x682.jpg\" alt=\"\" class=\"wp-image-9564\"\/><figcaption class=\"wp-element-caption\">Ana\u00efs Marion, <em>Baghdadbahn (une ligne dans le d\u00e9sert), Gare de Mardin<\/em>, 2018 \u00a9 Adagp, Paris, 2025<\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->"},"template":"","meta":{"inline_featured_image":false,"_fr_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Ana\u00efs Marion est invit\u00e9e \u00e0 occuper l\u2019espace Degr\u00e9s Est, d\u00e9di\u00e9 aux artistes li\u00e9\u00b7es au Grand Est, sur une proposition de Fanny Gonella, directrice du Frac Lorraine.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>N\u00e9e en 1992 \u00e0 Metz, form\u00e9e \u00e0 l\u2019\u00c9cole europ\u00e9enne sup\u00e9rieure de l'image (E\u00c9SI) \u00e0 Poitiers, Ana\u00efs Marion vit et travaille entre la Creuse et la Moselle.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>En 2018, elle entreprend de remonter le trac\u00e9 de la Baghdadbahn, chemin de fer reliant Berlin \u00e0 Bagdad en Irak. D\u00e9but\u00e9 \u00e0 la fin du XIXe si\u00e8cle par l\u2019Allemagne puis termin\u00e9 par les Britanniques au d\u00e9but du XXe, dans un contexte d\u2019expansion imp\u00e9riale, ce r\u00e9seau \u2013 finalement interrompu \u2013 \u00e9tait destin\u00e9 \u00e0 acheminer jusqu\u2019en Europe des tr\u00e9sors arch\u00e9ologiques m\u00e9sopotamiens.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Avec ce trajet, Ana\u00efs Marion engage un voyage entre histoire, g\u00e9opolitique et m\u00e9moire des objets d\u00e9plac\u00e9s. Munie d\u2019une reproduction miniature d\u2019un taureau ail\u00e9 m\u00e9sopotamien provenant du Pergamon Museum \u00e0 Berlin, elle tente symboliquement de le ramener \u00e0 sa terre d\u2019origine. En 2025, elle rejoint finalement Bagdad.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>L\u2019artiste d\u00e9veloppe une pratique d\u2019enqu\u00eate o\u00f9 l\u2019observation, la collecte et le d\u00e9placement deviennent des mani\u00e8res d\u2019\u00e9crire l\u2019Histoire autrement. Ses \u0153uvres, entre photographie, \u00e9criture et protocole, m\u00ealent m\u00e9thodologie arch\u00e9ologique et po\u00e9sie des inventaires pour interroger la m\u00e9moire collective, la circulation des savoirs et les effets du d\u00e9racinement d\u2019un patrimoine.<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":9564,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1024x682.jpg\" alt=\"\" class=\"wp-image-9564\"\/><figcaption class=\"wp-element-caption\">Ana\u00efs Marion, <em>Baghdadbahn (une ligne dans le d\u00e9sert), Gare de Mardin<\/em>, 2018 \u00a9 Adagp, Paris, 2025<\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_fr_post_name":"degres-est-anais-marion","_fr_post_excerpt":"","_fr_post_title":"Degr\u00e9s Est\u00a0: Ana\u00efs Marion","_en_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Ana\u00efs Marion is been invited to occupy the Degr\u00e9s Est space, dedicated to artists linked to the Grand Est region, following a proposal by Fanny Gonella, director of Frac Lorraine.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>The artist has developed an investigative practice in which observation, collection and displacement become ways of writing history differently. His works, which combine photography, writing and protocol, blend archaeological methodology and the poetry of inventories to question collective memory, the circulation of knowledge and the effects of the uprooting of heritage.<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":9564,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2025\/12\/BB18-01-1024x682.jpg\" alt=\"\" class=\"wp-image-9564\"\/><figcaption class=\"wp-element-caption\">Ana\u00efs Marion, <em>Baghdadbahn (une ligne dans le d\u00e9sert), Gare de Mardin<\/em>, 2018 \u00a9 Adagp, Paris, 2025<\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_en_post_name":"","_en_post_excerpt":"","_en_post_title":"","edit_language":"en"},"tags":[33,7],"event-type":[30],"saison":[451],"lieu":[371],"class_list":["post-9563","exhibition","type-exhibition","status-publish","hentry","tag-degres-est","tag-exposition"],"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition\/9563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=9563"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=9563"},{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/event-type?post=9563"},{"taxonomy":"saison","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/saison?post=9563"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=9563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}