{"id":2921,"date":"2022-10-07T10:00:42","date_gmt":"2022-10-07T10:00:42","guid":{"rendered":"https:\/\/www.fraclorraine.org\/nouveausite2021\/?post_type=residence&#038;p=2921"},"modified":"2026-01-20T15:58:49","modified_gmt":"2026-01-20T14:58:49","slug":"","status":"publish","type":"residence","link":"https:\/\/www.fraclorraine.org\/en\/residence\/yann-chateigne-tytelman\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"template":"","tags":[271,83],"residence-type":[261],"lieu":[371],"class_list":["post-2921","residence","type-residence","status-publish","hentry","tag-en-presence","tag-residence"],"meta":{"_fr_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph {\"fontSize\":\"medium\"} -->\n<p class=\"has-medium-font-size\">\u25cf <a href=\"https:\/\/www.yct.solar\/\" target=\"_blank\" rel=\"noreferrer noopener\">Yann Chateign\u00e9 Tytelman<\/a> est critique et curateur install\u00e9 \u00e0 Bruxelles.  <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph {\"fontSize\":\"medium\"} -->\n<p class=\"has-medium-font-size\">En mai 2022, dans le cadre de la r\u00e9sidence <em>En pr\u00e9sence<\/em>, il  a rencontr\u00e9 les artistes du Grand Est :  <a href=\"https:\/\/guillaumebarborini.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Guillaume Barborini<\/a>, <a href=\"https:\/\/www.instagram.com\/stefania___crisan\/?hl=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Stefania Crisan<\/a>, <a href=\"https:\/\/annacoulet.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Anna Coulet<\/a>, <a href=\"http:\/\/www.vincentdelmas.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vincent Delmas<\/a>, <a href=\"https:\/\/www.descamps-mazzi.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Virginie Descamps &amp; Thomas Mazzi<\/a>, <a href=\"https:\/\/celiamuller.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">C\u00e9lia Muller<\/a>, <a href=\"https:\/\/manonnicolay.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Manon Nicolay<\/a>, <a href=\"https:\/\/www.instagram.com\/piece_of_past\/?hl=fr\" target=\"_blank\" rel=\"noreferrer noopener\">Matthi Ruthenberg<\/a>, <a href=\"https:\/\/armelletulunda.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Armelle Tulunda<\/a>, Marie-France Uzac.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>--<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yann Chateign\u00e9 Tytelman a \u00e9t\u00e9 responsable des programmes au CAPC Mus\u00e9e d'art contemporain de Bordeaux (2007 - 2009) et du d\u00e9partement Arts visuels de la Haute \u00e9cole d\u2019art et de design de Gen\u00e8ve (2009 - 2017). Il a organis\u00e9 plusieurs projets interdisciplinaires, collectifs et de recherche : <em>By repetition, you start noticing details in the landscape<\/em> (Gen\u00e8ve, 2019 - 2020), <em>Gordon Matta-Clark. Material thinking<\/em> (Centre Canadien d'Architecture, Montr\u00e9al, 2019) et <em>It Never Ends<\/em> (KANAL \u2013 Centre Pompidou, Bruxelles, 2020 - 2021). Il a co\u00e9dit\u00e9 l'<em>Almanach Ecart. Une archive collective <\/em>(art&amp;fiction, Lausanne, 2019).<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Il a \u00e9crit de nombreux essais dans des catalogues et revues sp\u00e9cialis\u00e9es telles que <em>Frieze<\/em>, <em>Mousse<\/em> ou <em>Spike<\/em>. Depuis 2019, il est directeur de th\u00e8se \u00e0 Khio d\u2019Oslo et charg\u00e9 de cours \u00e0 l'Erg de Bruxelles. Depuis 2021, il travaille \u00e9galement comme commissaire invit\u00e9 \u00e0 Country SALTS, en Suisse. Il a r\u00e9cemment re\u00e7u une bourse du Minist\u00e8re de la Culture \/ Centre National des Arts Plastiques (Paris), pour <em>L'Autre Nuit<\/em>, une exposition qui prend la forme d'un roman \u00e0 para\u00eetre en 2022.<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":2922,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2022\/10\/RESIDENCE_2022_TYTELMAN_1-819x1024.jpg\" alt=\"\" class=\"wp-image-2922\"\/><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->\n\n<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_fr_post_excerpt":"","_fr_post_title":"Yann Chateign\u00e9 Tytelman","_fr_post_name":"yann-chateigne-tytelman","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence\/2921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/residence"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=2921"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=2921"},{"taxonomy":"residence-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence-type?post=2921"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=2921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}