Pedro de Llano is an art critic and a curator. In 2008, in collaboration with Pablo Fanego, he dreamed up the exhibition Museum as Medium. Presented at\u00a0MARCO\u00a0in Vigo and at the Koldo Mitxelena in San Sebastian, Spain, the exhibition offered an original perspective on the museum\u2014\u2014the artwork\u2019s support and referent. The works of twenty artists gave rise to a common attitude towards the museum, no longer viewed simply as a space to be occupied, but also as a place of action and experience: as a medium.
Pedro de Llano is currently editing a critical work on the project.<\/p>\n","protected":false,"raw":"\n
Pedro de Llano is an art critic and a curator. In 2008, in collaboration with Pablo Fanego, he dreamed up the exhibition Museum as Medium. Presented at\u00a0MARCO\u00a0in Vigo and at the Koldo Mitxelena in San Sebastian, Spain, the exhibition offered an original perspective on the museum\u2014\u2014the artwork\u2019s support and referent. The works of twenty artists gave rise to a common attitude towards the museum, no longer viewed simply as a space to be occupied, but also as a place of action and experience: as a medium.
Pedro de Llano is currently editing a critical work on the project.<\/p>\n"},"template":"","tags":[347,83],"residence-type":[263],"lieu":[371],"class_list":["post-2941","residence","type-residence","status-publish","hentry","tag-ecriture","tag-residence"],"meta":{"_fr_post_content":"\n
\u25cf Pedro de Llano est n\u00e9 en 1977 en Espagne. Il vit et travaille \u00e0 Saint-Jacques de Compostelle<\/p>\n\n\n\n
Pedro de Llano est critique d\u2019art et curateur. En 2008, il a imagin\u00e9 l\u2019exposition The Museum as medium<\/em> en collaboration avec Pablo Fanego. Pr\u00e9sent\u00e9e au MARCO \u00e0 Vigo et au Koldo Mitxelena \u00e0 San Sebastian (Espagne), cette exposition proposait une r\u00e9flexion originale sur le mus\u00e9e, support et r\u00e9f\u00e9rent de l\u2019oeuvre d\u2019art. \u00c0 travers le travail de vingt artistes y \u00e9mergeait une attitude commune envers le mus\u00e9e, non plus con\u00e7u comme simple espace \u00e0 envahir, mais comme lieu d\u2019action et d\u2019exp\u00e9rience, comme m\u00e9dium<\/em>. Titulaire d\u2019un doctorat en arts portant sur le critique Cl\u00e9ment Greenberg (Universit\u00e9 de Saint-Jacques de Compostelle, avril 2009), Pedro de LLano participe \u00e0 plusieurs projets de recherche au sein de cette universit\u00e9. <\/p>\n","_fr_post_excerpt":"","_fr_post_title":"Pedro de Llano","_fr_post_name":"pedro-de-llano","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence\/2941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/residence"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=2941"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=2941"},{"taxonomy":"residence-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence-type?post=2941"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=2941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Pedro de LLano travaille actuellement \u00e0 l\u2019\u00e9dition d\u2019un ouvrage sur ce projet.<\/p>\n\n\n\n
Il a co\u00e9dit\u00e9 en 2001 l\u2019ouvrage En tiempo real : El arte mientras tiene lugar<\/em> (En temps r\u00e9el : l\u2019art quand il a lieu), et \u00e9dit\u00e9 en 2008 Wrong site : Arte y globalisation<\/em>. Il \u00e9crit pour plusieurs magazines d\u2019art et journaux, et est l\u2019auteur de textes sur des artistes tels que Tino Sehgal, Fernando Jos\u00e9 Pereira, Hans Schabus, John Knight ou Sergio Prego.<\/p>\n\n\n\n