\u25cf Florencia Malbr\u00e1n is a writer and curator based in Buenos Aires (AR)<\/p>\n\n\n\n
Most recently, she curated \u201cUnseen Voices: Alejandro Cesarco and Jorge M\u00e9ndez Blake\u201d at Fundaci\u00f3n Proa (Buenos Aires, 2010), and \u201cGian Paolo Minelli: Villa Lugano + Zona Sur\u201d at Centro Cultural Recoleta (Buenos Aires, 2010; traveled to Museo Emilio Caraffa, C\u00f3rdoba, 2011).
Malbr\u00e1n has held curatorial positions in several art institutions. She was Hilla Rebay International Fellow at the Guggenheim Museums, working in contemporary and modern exhibitions across the Solomon R. Guggenheim Museum, New York; the Guggenheim Bilbao Museum, Bilbao; and the Peggy Guggenheim Collection, Venice (2007\u20132008). She has also worked at the Pinacoteca do Estado, S\u00e3o Paulo (2006), and the Museum of Modern Art, Buenos Aires (2004\u20132005). Additionally, she has undertaken curatorial residencies in Switzerland (2011) and Spain (2009).<\/p>\n\n\n\n
She teaches Modern and Contemporary Latin American Art at New York University (Academic Center in Buenos Aires).
Malbr\u00e1n received an M.A. in Curatorial Studies from the Center for Curatorial Studies, Bard College, New York, where she was a Bruce T. Halle Family Foundation Fellow. She is currently completing a doctorate in Arts and Humanities at Rosario National University, Argentina, and is a PhD Fellow at the National Council of Scientific Research (Conicet). Her dissertation rejects the idea of medium specificity and explores intersections among literature, contemporary art and critical theory from 1990\u20132010, focusing on the intertwining histories of the verbal and the visual.<\/p>\n\n\n\n
Recent catalog writing includes essays on Ernesto Neto for the Astrup Fearnley Museum of Modern Art, and Ragnar Kjartansson for the Icelandic Pavilion at the 53th Venice Biennale.<\/p>\n","protected":false,"raw":"\n
\u25cf Florencia Malbr\u00e1n is a writer and curator based in Buenos Aires (AR)<\/p>\n\n\n\n
Most recently, she curated \u201cUnseen Voices: Alejandro Cesarco and Jorge M\u00e9ndez Blake\u201d at Fundaci\u00f3n Proa (Buenos Aires, 2010), and \u201cGian Paolo Minelli: Villa Lugano + Zona Sur\u201d at Centro Cultural Recoleta (Buenos Aires, 2010; traveled to Museo Emilio Caraffa, C\u00f3rdoba, 2011).
Malbr\u00e1n has held curatorial positions in several art institutions. She was Hilla Rebay International Fellow at the Guggenheim Museums, working in contemporary and modern exhibitions across the Solomon R. Guggenheim Museum, New York; the Guggenheim Bilbao Museum, Bilbao; and the Peggy Guggenheim Collection, Venice (2007\u20132008). She has also worked at the Pinacoteca do Estado, S\u00e3o Paulo (2006), and the Museum of Modern Art, Buenos Aires (2004\u20132005). Additionally, she has undertaken curatorial residencies in Switzerland (2011) and Spain (2009).<\/p>\n\n\n\n
She teaches Modern and Contemporary Latin American Art at New York University (Academic Center in Buenos Aires).
Malbr\u00e1n received an M.A. in Curatorial Studies from the Center for Curatorial Studies, Bard College, New York, where she was a Bruce T. Halle Family Foundation Fellow. She is currently completing a doctorate in Arts and Humanities at Rosario National University, Argentina, and is a PhD Fellow at the National Council of Scientific Research (Conicet). Her dissertation rejects the idea of medium specificity and explores intersections among literature, contemporary art and critical theory from 1990\u20132010, focusing on the intertwining histories of the verbal and the visual.<\/p>\n\n\n\n
Recent catalog writing includes essays on Ernesto Neto for the Astrup Fearnley Museum of Modern Art, and Ragnar Kjartansson for the Icelandic Pavilion at the 53th Venice Biennale.<\/p>\n"},"template":"","tags":[347,83],"residence-type":[263],"lieu":[371],"class_list":["post-2945","residence","type-residence","status-publish","hentry","tag-ecriture","tag-residence"],"meta":{"_fr_post_content":"\n
\u25cf Florencia Malbr\u00e1n est \u00e9crivaine et curatrice. Elle vit \u00e0 Buenos Aires (AR). Avec le soutien de l\u2019Ambassade de France en Argentine <\/p>\n\n\n\n
En 2010\u201311, Florencia Malbr\u00e1n a \u00e9t\u00e9 la commissaire des expositions \u201cOtras Voces: Alejandro Cesarco y Jorge M\u00e9ndez Blake\u201d \u00e0 la Fondation PROA (Buenos Aires, AR) et \u201cGian Paolo Minelli: Villa Lugano + Zona Sur\u201d au Centre Culturel Recoleta (Buenos Aires, 2010; pr\u00e9sent\u00e9e ensuite au Mus\u00e9e Emilio Caraffa, Cordoue, ES, 2011).
En 2007\u201308, elle a obtenu le Hilla Rebay International Fellowship et particip\u00e9 \u00e0 des expositions d\u2019art moderne et contemporain au Solomon R. Guggenheim (New York, US), au Guggenheim Bilbao (Bilbao, ES) et \u00e0 la Collection Peggy Guggenheim (Venise, IT).
Elle a pr\u00e9c\u00e9demment travaill\u00e9 \u00e0 la Pinacoth\u00e8que nationale de S\u00e3o Paulo (BR, 2006), au Mus\u00e9e d\u2019art moderne de Buenos Aires (AR, 2004\u201305) et a \u00e9t\u00e9 invit\u00e9e en r\u00e9sidence curatoriale en Suisse (2011) et en Espagne (2009).<\/p>\n\n\n\n
Elle enseigne l\u2019Histoire de l\u2019art moderne et contemporain latino-am\u00e9ricain \u00e0 la New York University de Buenos Aires.
Florencia Malbr\u00e1n a une ma\u00eetrise en \u00e9tudes curatoriales du Bard College (New York, US) o\u00f9 elle a re\u00e7u une bourse de la Bruce T. Halle Family Foundation.
Elle termine un doctorat en art et humanit\u00e9s \u00e0 l\u2019Universit\u00e9 nationale de Rosario (AR) et suit un doctorat en philosophie au CONICET (Conseil national de recherches scientifiques et techniques, AR).<\/p>\n\n\n\n
Parmi ses derniers textes publi\u00e9s figurent des essais sur Ernesto Neto (catalogue du Mus\u00e9e Astrup Fearnley, Oslo, NO) et sur Ragnar Kjartansson (catalogue du Pavillon Islandais pour la 53\u00e8me Biennale de Venise).<\/p>\n\n\n\n
Florencia Malbr\u00e1n est la co-commissaire d\u2019une exposition d\u2019\u0153uvres du Frac Lorraine r\u00e9activ\u00e9es \u00e0 Medellin, Colombie en 2013.<\/p>\n","_fr_post_excerpt":"","_fr_post_title":"Florencia Malbran","_fr_post_name":"florencia-malbran","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence\/2945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/residence"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=2945"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=2945"},{"taxonomy":"residence-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence-type?post=2945"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=2945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}