Since the languages spoken around the world are no longer working\u2026 Since incomprehension uncannily, even dangerously, toes the line, why not invent a new way of communicating that would really be universal?<\/p>\n\n\n\n
Wishing to return to the utopia of a life before the Tower of Babel, this duet of multidisciplinary artists (choreographers, dancers, performers, video artists, and public space creators at the \u201cDream City\u201d biennale in Tunis) are going to try to invent, through collective experiments in different communities living in Metz, a new alphabet using bodies, gestures, and drawings. Attention to all who enjoy the adventure of living together! <\/p>\n\n\n\n
At the intersection of psychology, ethology, anthropology, sociology, ethnology, and neuroscience, research on non-verbal communication and gestural language fascinate the general public as well as experts, including artists. Selma and Sofiane Ouissi surround themselves with interlocutors from very different walks of life: the deaf who adopted sign language, asylum seekers of diverse geographic origins, elderly persons speaking colorful dialects\u2026 They have no language in common and yet they have all volunteered to participate in research sessions in order to answer the crucial question: how can we understand one another outside codified languages?<\/p>\n\n\n\n
Selma & Sofiane OUISSI are choreographers, dancers, performers, video artists. Their creations have been featured at prestigious festivals: Kunstenfestivaldesarts in Brussels, the La B\u00e2tie Festival in Geneva, Triennale at the Palais de Tokyo, Moscow Biennale of Contemporary Art, and D\u2019Days in Paris, and at shown around the world: Liban, Germany, Egypt, Spain, Italy, the United States, the Netherlands, Great Britain\u2026
In 2007, they founded the association L\u2019Art Rue dedicated to the production and dissemination of contemporary art in public spaces in Tunisia. They created \u201cDream City,\u201d a multidisciplinary biennale in Medina\u2019s city center. They are today considered to be major figures in contemporary dance in the Arab world.<\/p>\n\n\n\n
Savoir-faire and savoir-\u00eatre<\/em>, or how to successfully transmit and diffuse new creative techniques in the collective mode. This is the basis for reflection in a joint project conducted by three European institutions which consider \u201cthinking art in another way\u201d a necessity: the Fundaci\u00f3 Antoni Tapies in Barcelona, the Museum voor Schone Kunsten (MSK) in Gand, and 49 Nord 6 Est\u2013FRAC Lorraine.<\/p>\n\n\n\n The project is called: \u201cManufactories of Caring Space-Time,\u201d and its mission is to allow three multidisciplinary collectives three years to operate in and influence three territories. The main idea is to get together in order to experiment.<\/p>\n\n\n\n With the support of Creative Europe Programme of the European Union.<\/p>\n\n\n\n Fundaci\u00f3 Antoni Tapies de Barcelone<\/a><\/p>\n\n\n\n Museum voor Schone Kunsten \u2013 MSK de Gand<\/a><\/p>\n","protected":false,"raw":"\n Since the languages spoken around the world are no longer working\u2026 Since incomprehension uncannily, even dangerously, toes the line, why not invent a new way of communicating that would really be universal?<\/p>\n\n\n\n Wishing to return to the utopia of a life before the Tower of Babel, this duet of multidisciplinary artists (choreographers, dancers, performers, video artists, and public space creators at the \u201cDream City\u201d biennale in Tunis) are going to try to invent, through collective experiments in different communities living in Metz, a new alphabet using bodies, gestures, and drawings. Attention to all who enjoy the adventure of living together! <\/p>\n\n\n\n At the intersection of psychology, ethology, anthropology, sociology, ethnology, and neuroscience, research on non-verbal communication and gestural language fascinate the general public as well as experts, including artists. Selma and Sofiane Ouissi surround themselves with interlocutors from very different walks of life: the deaf who adopted sign language, asylum seekers of diverse geographic origins, elderly persons speaking colorful dialects\u2026 They have no language in common and yet they have all volunteered to participate in research sessions in order to answer the crucial question: how can we understand one another outside codified languages?<\/p>\n\n\n\n Selma & Sofiane OUISSI are choreographers, dancers, performers, video artists. Their creations have been featured at prestigious festivals: Kunstenfestivaldesarts in Brussels, the La B\u00e2tie Festival in Geneva, Triennale at the Palais de Tokyo, Moscow Biennale of Contemporary Art, and D\u2019Days in Paris, and at shown around the world: Liban, Germany, Egypt, Spain, Italy, the United States, the Netherlands, Great Britain\u2026 Savoir-faire and savoir-\u00eatre<\/em>, or how to successfully transmit and diffuse new creative techniques in the collective mode. This is the basis for reflection in a joint project conducted by three European institutions which consider \u201cthinking art in another way\u201d a necessity: the Fundaci\u00f3 Antoni Tapies in Barcelona, the Museum voor Schone Kunsten (MSK) in Gand, and 49 Nord 6 Est\u2013FRAC Lorraine.<\/p>\n\n\n\n The project is called: \u201cManufactories of Caring Space-Time,\u201d and its mission is to allow three multidisciplinary collectives three years to operate in and influence three territories. The main idea is to get together in order to experiment.<\/p>\n\n\n\n With the support of Creative Europe Programme of the European Union.<\/p>\n\n\n\n Fundaci\u00f3 Antoni Tapies de Barcelone<\/a><\/p>\n\n\n\n Museum voor Schone Kunsten \u2013 MSK de Gand<\/a><\/p>\n"},"template":"","tags":[347,83],"residence-type":[263],"lieu":[371],"class_list":["post-2963","residence","type-residence","status-publish","hentry","tag-ecriture","tag-residence"],"meta":{"_fr_post_content":"\n \u25cf Puisque les langues parl\u00e9es dans le monde n\u2019agissent plus\u2026 Puisque l\u2019incompr\u00e9hension prend le pas \u2013 de mani\u00e8re inqui\u00e9tante voire dangereuse -, pourquoi ne pas inventer un nouveau moyen de communication, un qui soit v\u00e9ritablement universel ?<\/p>\n\n\n\n Souhaitant revenir \u00e0 l\u2019utopie d\u2019une vie d\u2019avant la Tour de Babel, ce duo d\u2019artistes pluridisciplinaires (chor\u00e9graphes, danseurs, performeurs, vid\u00e9astes et cr\u00e9ateurs de la biennale dans l\u2019espace public, \u00ab Dream City \u00bb, \u00e0 Tunis) va tenter, sous forme d\u2019exp\u00e9rimentations collectives avec diff\u00e9rentes communaut\u00e9s vivant \u00e0 Metz, d\u2019inventer ce nouvel alphabet, avec des corps, des gestes et des dessins. Avis aux aventuriers du vivre ensemble.<\/p>\n\n\n\n \u00c0 la crois\u00e9e de la psychologie, de l\u2019\u00e9thologie, de l\u2019anthropologie, de la sociologie, de l\u2019ethnologie et des neurosciences, les recherches sur la communication non verbale, ou langage gestuel, passionnent le grand public comme les sp\u00e9cialistes, y compris les artistes. Selma et Sofiane Ouissi s\u2019entourent de locuteurs tr\u00e8s \u00e9loign\u00e9s a priori les uns des autres : des sourds ayant adopt\u00e9s la langue des signes, diff\u00e9rents demandeurs d\u2019asile aux origines g\u00e9ographiques diverses, des personnes \u00e2g\u00e9es au patois pittoresque\u2026 Aucune langue commune et pourtant, ils sont tous volontaires pour participer \u00e0 des s\u00e9ances de recherche afin de r\u00e9pondre \u00e0 la question cruciale : comment se comprendre au del\u00e0 des langues codifi\u00e9es ?<\/p>\n\n\n\n \u25cf SELMA & SOFIANE OUISSI <\/p>\n\n\n\n Exp\u00e9rimenter, inventer, parcourir de nouvelles voies de travail avec les artistes de toutes disciplines, c\u2019est pour l\u2019institution culturelle 49 Nord 6 Est s\u2019ouvrir aux pratiques en lien avec les communaut\u00e9s locales : Leurs cr\u00e9ations : Stop\u2026Boum<\/em> (2004), Wa\u00e7l<\/em> (2007), Here(s)<\/em> (2011) ; Laroussa<\/em> (2013) ; Les Yeux d\u2019Argos <\/em>(2014) ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans les plus prestigieux festivals : Kunstenfestivaldesarts de Bruxelles, La B\u00e2tie \u2013 Festival de Gen\u00e8ve Triennale du Palais de Tokyo, Biennale Moscow of contemporary Art, D\u2019Days \u2013 Paris, \u2026 et ont fait le tour du monde : Liban, Allemagne, Egypte, Espagne, Italie, Etats-Unis, Pays-Bas, Royaume-Uni. <\/p>\n\n\n\n En 2007 ils fondent l\u2019association L\u2019Art Rue d\u00e9di\u00e9e \u00e0 la production et diffusion de l\u2019art contemporain dans l\u2019espace public en Tunisie. Et cr\u00e9ent \u00ab Dream City \u00bb une biennale pluridisciplinaire au c\u0153ur de la M\u00e9dina. Ils sont aujourd\u2019hui consid\u00e9r\u00e9s comme des figures majeures de la danse contemporaine du monde arabe.<\/p>\n\n\n\n \u25cf LE PROJET MANUFACTORIES<\/em> <\/p>\n\n\n\n Savoir-faire, savoir-\u00eatre\u2026 ou comment r\u00e9ussir \u00e0 transmettre et faire circuler de nouveaux processus de cr\u00e9ation sur le mode du collectif. Voil\u00e0 qui sert de base de r\u00e9flexion au projet commun de 3 institutions europ\u00e9ennes pour qui \u00ab penser l\u2019art autrement \u00bb est une n\u00e9cessit\u00e9 : la Fundaci\u00f3 Antoni Tapies de Barcelone, le Museum voor Schone Kunsten \u2013 MSK de Gand et le 49 Nord 6 Est.<\/p>\n\n\n\n Nom de code du projet : \u00ab Manufactories of Caring Space-Time \u00bb \u21b3 Dans le cadre du projet \u201cManufactories of Caring Space-Time\u201d, en partenariat avec
\n\n\n\nPartners<\/h2>\n\n\n\n
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\n\n\n\nSelma & Sofiane\u00a0Ouissi<\/h2>\n\n\n\n
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In 2007, they founded the association L\u2019Art Rue dedicated to the production and dissemination of contemporary art in public spaces in Tunisia. They created \u201cDream City,\u201d a multidisciplinary biennale in Medina\u2019s city center. They are today considered to be major figures in contemporary dance in the Arab world.<\/p>\n\n\n\n
\n\n\n\nProject Manufactories<\/em><\/h2>\n\n\n\n
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\n\n\n\nPartners<\/h2>\n\n\n\n
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celle d\u2019hier dont la m\u00e9moire ne tient qu\u2019\u00e0 un fil et celle d\u2019aujourd\u2019hui que l\u2019on feint d\u2019ignorer. Quand l\u2019histoire cach\u00e9e ressurgit, c\u2019est un lien de plus pour construire le vivre-ensemble !
C\u2019est donc naturellement que s\u2019est faite l\u2019invitation du 49 Nord 6 Est aux chor\u00e9graphes, danseurs, performeurs, vid\u00e9astes Selma & Sofiane OUISSI pour une r\u00e9sidence de cr\u00e9ation et de recherche<\/p>\n\n\n\n
La mission : 3 collectifs pluri-disciplinaires ont 3 ans pour agir et influer sur 3 territoires. Il s\u2019agit de se rassembler pour exp\u00e9rimenter.<\/p>\n\n\n\n
Fundaci\u00f3 Antoni Tapies de Barcelone<\/a>
Museum voor Schone Kunsten \u2013 MSK de Gand<\/a><\/p>\n","_fr_post_excerpt":"","_fr_post_title":"Selma et Sofiane Ouissi","_fr_post_name":"selma-et-sofiane-ouissi","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence\/2963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/residence"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=2963"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=2963"},{"taxonomy":"residence-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence-type?post=2963"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=2963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}