{"id":8372,"date":"2023-11-07T17:34:03","date_gmt":"2023-11-07T16:34:03","guid":{"rendered":"https:\/\/www.fraclorraine.org\/?post_type=residence&#038;p=8372"},"modified":"2026-01-20T16:00:02","modified_gmt":"2026-01-20T15:00:02","slug":"","status":"publish","type":"residence","link":"https:\/\/www.fraclorraine.org\/en\/residence\/sophie-lapalu\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"template":"","tags":[271,83],"residence-type":[261],"lieu":[371],"class_list":["post-8372","residence","type-residence","status-publish","hentry","tag-en-presence","tag-residence"],"meta":{"_fr_post_content":"<!-- wp:columns -->\n<div class=\"wp-block-columns\"><!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:paragraph -->\n<p>\u25cf Sophie Lapalu, critique d'art et commissaire d'exposition ind\u00e9pendante, s\u2019int\u00e9resse tout particuli\u00e8rement aux formats d\u2019exposition, \u00e0 la performance et aux \u0153uvres immat\u00e9rielles.  <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>En 2023, dans le cadre de la r\u00e9sidence <em>En pr\u00e9sence<\/em>, elle a rencontr\u00e9 les artistes <a href=\"https:\/\/www.morganebritscher.fr\/\">Morgane Britscher<\/a>, <a href=\"http:\/\/www.gwendalcoulon.com\/\">Gwendal Coulon<\/a>, <a href=\"https:\/\/www.kimdetraux.fr\/\">Kim D\u00e9traux<\/a>, <a href=\"https:\/\/clairehannicq.com\/\">Claire Hannicq<\/a>, <a href=\"https:\/\/www.cyganeketpoulain.com\/\">OPJ Cyganek et Julie Poulain<\/a>, <a href=\"https:\/\/www.emmaperrochon.com\/\">Emma Perrochon<\/a>, <a href=\"https:\/\/emiliepierson.com\/\">\u00c9milie Pierson<\/a>, <a href=\"https:\/\/clementrichem.com\/\">Cl\u00e9ment Richem<\/a>, <a href=\"https:\/\/romainvadala.fr\/\">Romain Vadala<\/a>.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>--<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ses recherches\u00a0posent les questions de l\u00e9gitimation et de visibilit\u00e9 ; elle fait des tentatives qui oscillent de la marge au centre, menant des expositions avec la jeune cr\u00e9ation, des structures alternatives, contribuant \u00e0 la reconnaissance de pratiques minoritaires. Elle pose la question du sens de la visibilit\u00e9 de ces pratiques et de la place de son \u00e9nonciation.\u00a0<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elle publie r\u00e9guli\u00e8rement dans des revues (Zerodeux, Woman Journal, La Belle Revue, Le Quotidien de l\u2019art), des catalogues d\u2019exposition ou au sein d\u2019ouvrages universitaires (Journal d\u2019\u00e9t\u00e9 de la Biblioth\u00e8que Kandinsky 2021,&nbsp;<em>L\u2019usage du Temps<\/em>,&nbsp;Les Presses du r\u00e9el, 2021\u2026). Elle est \u00e9galement membre du comit\u00e9 de r\u00e9daction de la Belle Revue, docteure en esth\u00e9tique et science de l\u2019art, enseignante \u00e0 l\u2019Ecole Sup\u00e9rieure d\u2019Art d\u2019Aix en provence, correspondante&nbsp;pour *DUUU radio, et a publi\u00e9 plusieurs ouvrages (<em>Street Works, New York, 1969<\/em>, Presses Universitaires de Vincennes, 2020,&nbsp;<em>CUL DE SAC<\/em>, Ast\u00e9rides ateliers d\u2019artistes, 2014,&nbsp;<em>Rien n\u2019est vrai, tout est permis. Entretien avec Florence Jung<\/em>, \u00c9d. Piano Nobile, Gen\u00e8ve, 2014,&nbsp;<em>De l\u2019action \u00e0 la conversation, Jean-Christophe Norman<\/em>, FRAC Franche Comt\u00e9, Les Presses du R\u00e9el, 2014).<\/p>\n<!-- \/wp:paragraph --><\/div>\n<!-- \/wp:column -->\n\n<!-- wp:column -->\n<div class=\"wp-block-column\"><!-- wp:image {\"id\":7367,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https:\/\/www.fraclorraine.org\/wp-content\/uploads\/2023\/02\/SophieLapalu-768x1024.jpg\" alt=\"\" class=\"wp-image-7367\"\/><figcaption class=\"wp-element-caption\">Autoportrait avec le masque de Perrine Forest, Doute, 2019 \u00a9 Sophie Lapalu<\/figcaption><\/figure>\n<!-- \/wp:image --><\/div>\n<!-- \/wp:column --><\/div>\n<!-- \/wp:columns -->","_fr_post_excerpt":"","_fr_post_title":"Sophie Lapalu","_fr_post_name":"sophie-lapalu","edit_language":"en"},"excerpt":{"raw":"","rendered":""},"_links":{"self":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence\/8372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/types\/residence"}],"wp:attachment":[{"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/media?parent=8372"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/tags?post=8372"},{"taxonomy":"residence-type","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/residence-type?post=8372"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.fraclorraine.org\/en\/wp-json\/wp\/v2\/lieu?post=8372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}